Where the Wild Stories Are: How to Find Great Ideas for Your Writing

One of the questions I'm asked frequently when I give talks is this: Where do you get the ideas for your stories?Often I sense a certain pensiveness in the questioners, as though they were thinking, if only I, too, had access to that wondrous and magical land where stories come from!

Well, my answer to that question may seem somewhat simplistic and pedestrian, but it's something I really believe. Stories are all around us, like invisible spores in the air. We just need to have the eyes -and often the ears--to discover them.

It also helps to believe that every life is important, worthwhile, and dramatic in its own special way. That's something I feel strongly about.

arranged marriage cover.jpg

When I was writing my first collection of stories, Arranged Marriage, I got a lot of ideas from just listening to other people's conversations. I would go to an Indian dinner party and sit in the corner and eavesdrop. That's how I picked up the line which occurs early in the story "Affair" ("You know, of course, that Meena is having an affair!")

Eavesdropping is a great technique. I recommend it to all writers!

Sometimes we just need to be willing to listen. People are often hungry for a patient and respectful listener. They want to tell someone what has happened in their lives. They want someone who will give them attention, who will not judge them, who will try to feel empathy for what they have undergone. A friend once told me that soon after she arrived in America, her husband was shot in a store robbery. Her story touched my heart. I thought of how terrified she must have been, so alone, so far from home. That became the kernel of my story "Clothes," though I was careful to change the actual circumstances and to create a set of very different, imaginary characters.

The idea for my novel Sister of My Heart came to me during a visit to my hometown of Kolkata, on a day when I wasn't thinking about writing at all.I happened to see an ancient marble mansion being torn down to make place for a high-rise apartment building--something that happens quite regularly nowadays in India.Even as I recognized the necessity for this change, I felt a deep sorrow. Something important was passing out of our culture, a whole way of life, a different definition of family. It gave me the impetus to begin the story of two cousins who live in a house like the one that was being torn down: their adventures as they push against the boundaries erected around them, and what happens when they fall in love with the wrong men.

sister of  my heart cover.jpg

Stories are all around us. Right now I'd bet there are a dozen possible stories floating around you--things you've seen at work, or on a bus, or at a party, or at your child's school, or overheard while waiting in a visa office. But you have to be vigilant so you can recognize them and capture their energy. And then you have to write them down, even a few words, even the roughest of notes, so they don't evaporate. Because stories will tend to do that.

That's why a writer's notebook is so important.

There are other places we can find stories.Books, newspapers, movies, photos, songs. More about that in another post.

Crucial Writing Tip: Don't Fall Out of the Fictive Dream

As writers we often experience writer's block. We just don't know which way the plot should go next. Or we feel that an idea we were very enthusiastic about and envisioned clearly no longer excites us. Or a character that we felt we understood in a deep and truthful way is beginning to fade or stiffen. What has happened in these cases? I believe we have fallen out of the fictive dream.

John Gardner in his wonderful book on writing, The Art of Fiction, which I strongly recommend, describes the fictive dream beautifully:

"In the writing state--the state of inspiration--the fictive dream springsup fully alive: the writer forgets the words he has written on the page and sees, instead, his characters moving around their rooms, hunting through cupboards, glancing irritably through their mail, setting mousetraps, loading pistols. . . . When the writer writes down on paper what he has imagined, the words, however inadequate, do not distract his mind from the fictive dream but provide him with a fix on it, so that when the dream flags he can reread what he's written and find the dream starting up again. . . until reality, by comparison, seems cold, tedious, and dead."

We want to keep ourselves from falling out of this dream because, once we are out of it, it is difficult to re-enter. Sometimes we may never manage to find that magic space again. Coleridge's unfinished marvel of evocation, "Kubla Khan," is a cautionary tale for us all.

What then can we do to remain in the fictive dream? One of my suggestions to my students is to revisit the dream as often as we can, with as little a gap between visits as our lifestyle allows. This means we have to write--or at least contemplate our work-in-progress--regularly. My experience--with myself and my M.F.A. students--is that if you are away from the work for over three days, the intensity of the vision--and thus the intensity of the desire to capture it--begins to fade. I've seen this happen to extremely talented writers. They abandon one work and go on to start a new one, hoping to sustain the fictive dream. But unless they implement a plan to keep the new dream alive, it too will wither away.

The bottom line: create a writing schedule and stick to it. I suggest at least 3 times a week. Every day (at least the weekdays) would be preferable. At least an hour at a stretch. If it's possible to do it at the same time each day, it helps. (Once we develop the habit, it's almost as though we get hungry for writing at that time).

Some of you are thinking, I just don't have that much time. I have a lot of other responsibilities. How can I carve out all those hours from a life that's already hectic and over-scheduled?

I'll write about that soon. Stay tuned.

Different writers write differently--I'm very aware of that. I'd love to hear how you keep your fictive dream alive and well.